PAF

As a cat lover, the excitement was real when we got to pitch on this project with a living cataur! It was a project I was happy to be a part of during my time at Frost Studio. My role focused on creating all 3D aspects of the cataur and for the first time serve as an on-set VFX supervisor. Collaborating with Håkan Ossian on the initial set and working independently on the second set.

The project presented various challenges and is one of my most cherished projects to date. To optimize efficiency and resources, I began by modifying a cat model, which I then rigged, groomed, and animated. I tracked using SynthEyes while all other elements were crafted in Cinema 4D. I used Redshift for lighting and rendering before my colleague Oskar Lundmark took the renders to the next level in compositing.